{"id":838,"date":"2020-09-29T15:29:14","date_gmt":"2020-09-29T13:29:14","guid":{"rendered":"http:\/\/www.josedapice.it\/?page_id=838"},"modified":"2020-10-12T16:27:48","modified_gmt":"2020-10-12T14:27:48","slug":"installations","status":"publish","type":"page","link":"https:\/\/www.josedapice.it\/en\/installations\/","title":{"rendered":"Installations"},"content":{"rendered":"
\n\t\t\t\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t
\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

This installation of mine, consisting of a triptych, was part of an international collective exhibition curated by art critic Silvia Pegoraro in the medieval city of Viterbo.<\/p>

I chose the ancient city washhouse inspired by the incessant flow of water. So water as a metaphor for the inexorable flow of time, water as the primary element for the survival of the human species and finally water as crystalline purity.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

\n\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\"\"\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

Just as pure was the soul of the three newborns returned to nature described in the triptych. Their shape, still embryonic and just sketched on the table, is dissolved in natural elements such as leaves, for example, or dry branches with still some insects inside.<\/span><\/p>

Suspended in the air, the three little human beings have on their side only the initial of their names and the date of their birth and death.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

\n\t\t\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\n\t\t\t\t\t
<\/div>\n\t\t\t\t\t\t\t\t\t\t\t
<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\n\t\t\t\t\t
<\/div>\n\t\t\t\t\t\t\t\t\t\t\t
<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\n\t\t\t\t\t
<\/div>\n\t\t\t\t\t\t\t\t\t\t\t
<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\n\t\t\t\t\t
<\/div>\n\t\t\t\t\t\t\t\t\t\t\t
<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t
\n\t\t\t\n\t\t\t\t\t\t<\/span>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t

LA VIA DEI CANTI, SOUND ART INSTALLATION BY ZERYNTHIA<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

After more than 20 years from the Birds \/ Birds Symposium among artists, composers, art historians, ornithologists and ethologists curated by Carolyn Christov Bakargiev and Hans-Ulrich Obrist in the Paliano Forest, Prince Antonello Ruffo di Calabria's bird park, Zerynthia in the BOSCO DI PALIANO he presents the sound project La Via dei Canti: Uccelli \/ Birds.<\/p>\n

Bird song has always produced a great fascination for the human species in all cultures. Thousands of musical pieces, sounds and field recordings evoke the language to which the entirely sound installation is dedicated to this, which Zerynthia proposes by reworking a project created in 2013 for the Nuit Blanche in Paris under the artistic direction of Chiara Parisi and Julie Pellegrin.<\/p>\n

Twenty-four pieces created by sound artists, composers and visual artists of different generations and geographical contexts will be available to listen to visitors to the forest. A succession that passes from French pigeons to English crows, from Russian nightingales to Australian billbirds, arriving at the sound of the birds of the Rome Zoo, interspersed with the songs of the birds of the forest.<\/p>\n

The installation will be open for free on all weekends from Saturday 29 August to Sunday 1 November in the Bosco di Paliano, a centenary oak grove open to all from June 2020.<\/strong><\/p>\n

Zerynthia Association for Contemporary Art OdV has had its registered office in Paliano since 1992, where over the years it has regularly held international exhibitions and conferences in the field of contemporary art.<\/p>

\nArtists and composers: <\/b>Gianfranco Baruchello, Davide Bertocchi, Arturas, Bum\u0161teinas, Ergo Phizmiz, Francesco Cavaliere, Richard Crow, David Cunningham \/ Paola Pivi, Alvin Curran, Jos\u00e9 D'Apice, Jimmie Durham and Maria Thereza Alves, David Fenech, Jonathan Frigeri, Riccardo Giagni, Goodiepal , HH Lim, Fabrice, Hyber, Koo jeong A, Thomas K\u00f6ner, Donatella Landi, Filippo Leonardi, ManfreDu Schu, Leonid Tishkov, Cesare Viel, Stephen Vitiello.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

\n\t\t\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t
Listen to the audio<\/h5>